Under the Pyramids (or Imprisoned by the Pharaohs)
After a period of lessened sales, Weird
Tales was struggling. Magazine owner, J. C. Henneberger, thought that famous
escape artist, Harry Houdini, could bring more attention to the short story
magazine. Houdini had seen some mild success in print with a column "Ask
Houdini" (most likely ghost-written).
In 1924, Weird Tales commissioned the
writing of a story of the amazing adventures of Harry Houdini. Supposedly based
around the unbelievable account of Harry Houdini, Lovecraft accepted the
commission merely because the money was offered in advance of writing. In its
original publication, and not until a 1939 reprint, the story was credited as
written by Houdini himself. This was mostly due to an editorial decision that
thought a second byline on a first-person account would seem confusing.
Not believing Houdini's account of the
actual events, HPL took many liberties in the telling of this tale. Houdini
still quite enjoyed the finished story and the pair collaborated on a few other
works before the escape artist's death in 1926. These works included many
articles and essays of scientific skepticism in regards to the rampant growth
of mysticism and superstition (a favorite topic of both men).
Taking place in Egypt a decade into the
twentieth century, this story embodies many of the classical traits of
Lovecraft's cosmic horror. Told from the first-person perspective of Houdini,
about his mysterious encounter while on vacation in Egypt, the story is quite
an entertaining novellete.
Lovecraft received one-hundred dollars
to write the story and he quickly threw it together in February as he made
preparations for his marriage to Sonia Greene. The typed story was then
accidentally lost in a train station, and despite numerous ads and requests to
anyone who might have found the story, HPL and his new bride instead had to
spend part of their honeymoon retyping the story from Lovecraft's original
handwritten manuscript.
The story begins as Houdini finds
himself captured by a group of men after a boxing match atop the Great Pyramid.
After being bound and tossed in a hole, Houdini manages to escape his bounds as
only he could. Finding himself lost within the deep darkness of ancient
Egyptian ruins, he sets out to see what all the fuss about the Sphinx really
is. Mostly, he relates, he is curious about what the Sphinx is actually
supposed to be.
Deep under the tombs of long forgotten
Pharaohs. Houdini discovers a cavern of immense proportion, with support
columns taller than human sight. Within the great cavern, he witnesses all
manner of strange creatures. Mummified atrocities of hybrid humans made to look
like the half-beast gods of old. Even more amazingly, he is shocked to find
living forms of these beings as they shuffle about bringing great offerings to
a recessed area. This is where Houdini witnesses the truth of the Sphinx as a
hideously strange creature emerges from an opening in the darkness.
I have to admit, despite being
overwritten in the greatest sense of Lovecraft, I rather adore this story. It
has the intrigue and adventure of a classic H. Rider Haggard novel with all the
strange other-worldly beasties that Lovecraft could possibly fit in. I love the
connection of the ancient religions of Egypt to a reality far darker and less
understood. This is one of the best early examples of Lovecraft's grand cosmic
horror that would make him so distinct. It is this essential part of
Lovecraft's world building that would become so imitated by his followers.
Find out the shocking conclusion to this
story by reading the full text here: HPL's Under the Pyramids
Next time: TheUnnamable
3 comments:
I thought this story was an absolute blast.
I had no idea of the background when I read it for the first time earlier tonight, and I found myself wondering what had prompted Lovecraft to write it from the point of view of a famous contemporary. Knowing the backstory, it makes perfect sense.
I'm a big Stephen King fan, and I was intrigued by the repeated mention of the concept of "ka" in this story. King uses the concept of "ka" in his Dark Tower novels (albeit in a very different way than the way Lovecraft uses it here), and I'd love to know whether it was this story that introduced him to the concept.
That is a very cool observation. Stephen King is a huge fan of Lovecraft and often cites him as one of his biggest influences. I doubt King was introduced to the concept of ka through Lovecraft however, as it is a pervasive idea found in many places. Ka is a concept at the heart of ancient Egyptian mythology and so would probably be common knowledge to King pulling from countless research sources. Though neither King nor Lovecraft fully use the idea properly, they were definitely both inspired by the same source, the Egyptians.
Thanks for reading!
That is a very cool observation. Stephen King is a huge fan of Lovecraft and often cites him as one of his biggest influences. I doubt King was introduced to the concept of ka through Lovecraft however, as it is a pervasive idea found in many places. Ka is a concept at the heart of ancient Egyptian mythology and so would probably be common knowledge to King pulling from countless research sources. Though neither King nor Lovecraft fully use the idea properly, they were definitely both inspired by the same source, the Egyptians.
Thanks for reading!
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